Framio

Framio began with a simple want: beautiful art on my own television. The Samsung Frame turns a screen into a canvas, but filling it meant hunting for high-resolution public-domain images and cropping them by hand. So I built the tool I wished existed — and it grew past the one screen, into a living, interactive way to make art part of a day: on the TV, the phone, the tablet, the desk.

We never take credit for others' work. Every piece names its maker, and every file Framio exports carries the artist, museum, and license embedded inside it — so credit travels with the image wherever it goes.

Framio works only with art that is genuinely open — public domain or CC0, from museums' own programs. What the public funded and time returned to everyone belongs to everyone.

And access is the point, not an afterthought: open, community-written descriptions so art can be met without being seen, and an interface that works by remote, by touch, and by keyboard alike. If a person cannot experience the art, the museum isn't really open yet.